Wednesday 2 December 2015

Critical Investigation Task 4 Essay Plan

To what extent does 'Straight Outta Compton' represent black people negatively and does it encourage violence?

Para 1-Introduction-
  • My critical investigation is going to focus on the representations of black people within film, news and television in general.
  • My essay will look further into the cause of black stereotypes and whether or not movies such as Straight Outta' Compton reinforces and encourages violence.


Para 2- Straight Outta Compton and its representations-
  • Does Straight Outta Compton reinforce these stereotypes? Is it down to the audience to create their own judgement? Moral Panic...
“I was told that all back men were inherently aggressive and violent”-Book- ‘Black Demons: The deception Of The African American Male Criminal Stereotype’

Para 3- Comparing other media texts




  • Representations and stereotypes within other media texts such as Boyz n the hood in comparison to Straight Outta' Compton 

    • How they are similar or different in their representations of Black people and how the audience perceives it.
    Para 4- Escaping the stereotype?
    • Is it possible to overcome the stereotype?
    Brainwashed: Challenging the Myth of Black Inferiority“African Americans, no matter how savvy, educated, or financially privileged, could not completely avoid the conditioning that resulted from the increasingly sophisticated bombardment of subtle and not-so-subtle messages created to reinforce how different and inherently inferior blacks are when compared to whites.” Used quote.
    • Successful black people, do they reinforce or challenge the stereotype of black people i.e. Dr Dre? Jay-Z?
    Para 5- Is Hip-Hop a aspect of Success for black people or a chance to create Stereotypes?

    For sure, hiphop both saved and changed my life, on so many levels: I have been deeply immersed in hiphop since I was a preteen” Book-The Black Male Handbook” A Blueprint For Life

    “Other observers have asserted that hip hop is the result of young people’s being locked out of the American economic mainstream.” Book-Gangster Rap and its social cost: Exploiting hiphop and using racial stereotypes to entertain America
    • Look at the two quotes and show the comparison, how do they differ?
    “Hip-hop no longer speaks exclusively to the marginalized populations within the United States. The genre is now not solely about expressing discontent or serving as a mouthpiece for the powerless.”quote talks about how Hip-hop has allowed black people to 'have a voice'.

    Para 6- . Do the media representations of ethnic minorities wish to inform, educate or entertain us?

    • An analysis of whether the writer, and director of Straight Outta' Compton and other media texts have chosen to represent ethnic minorities in a particular way in order to educate us and inform us of what is happening around us or strictly to entertain us.
    Para 7- Are the representations fair? Do they reinforce stereotypes or challenge them?
    • Does Straight Outta Compton portray black people fairly? Should black people be generalized from this representation?
    •  Does Boyz n the hood reinforce or challenge the typical stereotype of black males?
    “Correct me if I'm wrong, but it seems to me the movie theatre shootings have been at the hands of white people, right? So why are we worried about violence, again? Oh, maybe because the cops dropped bugs in the ears of certain press people suggesting there might be a higher risk of violence?Quote analyses the misrepresentation of black people and the under representation of white people to do with shootings and film creating violence.

    http://crooksandliars.com/2015/08/cnn-very-worried-about-violence-straight

    Para 8- Marxism

    • Are the elite in control in creating these stereotypes and do they have the power in representing these groups in that way?
    • Do they do this deliberately to maintain power and are these representations for a purpose?
    Para 9- Audience and Institutions

    Is the audience given their own chance to make judgement? Does stereotypes root from the audience or the distributor of the movie news etc?

    How big of a role does the news play in challenging and reinforcing stereotypes? Is it a fair representation? 

    Para 10 - Conclusion
    • Sum up the essay and link it back to the question and the critical investigation. I.e. SOC and other media texts seem to reinforce stereotypes to an extent however there are other factors that play a role in the creation of stereotypes such as news. The audience also however have the ability to make their own judgment depending on what they consume from distributors in film, news and television.

    Critical Investigation Task 3: Historical text

    Boyz 'N the Hood- "You think you tough"



    This is a scene from Boyz n the hood which was released in 1991 (24 years ago). This scene is a glance of police brutality and treatment of black youth at the time. Surprisingly the officer that is harassing the characters is a black male himself. This links to one of Ice Cube's lyrics as a NWA member "Black Police showing out for the white cop". Considering this is an Ice cube movie that is probably a demonstration of what happened in reality and his personal experiences as a young African American living in the US. Comparing this historical text to a contemporary text shows both similarities and differences. The treatment that black males receive from police is similar and this shows the continuous ongoing issue with police brutality. Straight Outta' Compton shows similar scenes regarding the police and their unfair treatment.

    One realizable difference is that black officers now are less likely to harass young black men due to their awareness of the black lives matter movement and issue. The current brutality issue is mainly with racism and white officers harassing and troubling young innocent males. The Boyz n the hood movie seems to tell story well due to these issue being present at the time, meaning the movie was told from first hand experience allowing it to be as a reliable and successful as it was.

    In the scene you can see as the clip reaches the end the character named Trey shows emotion as tears run down his face. This use of media language and shot shows the emotions of the character regarding this issue allowing the audience to empathize with him and see his perspective when facing such a huge unjust problem. This in comparison to SOC shows different emotions within this issue. SOC looked at the issue differently and showed an emotion of anger with tracks such as 'F the police'. These tracks showed their anger towards the police and their treatment. To see the difference here you can clearly see that Boyz n the hood comes at this issue with a different emotion, from the tears you can see that this is an upsetting issue rather than an angered one. The contrast in emotions shows a wide variety of feelings within this field. This shows the difference within time. The historical text showed more of an emotional upsetting view whereas the contemporary one showed more of an anger one showing that over time this issue has not be resolved resulting in young black males being angry or fed up rather than upset.

    Saturday 28 November 2015

    Bib

    Rome, D. (2004). Black demons the media's depiction of the African American male criminal stereotype. Westport, Conn.: Praeger. 

    Burrell, T. (2010). Brainwashed: Challenging the myth of Black inferiority. New York, NY: Smiley Books ; 

    Bloom, L. (n.d.). Suspicion nation: The inside story of the Trayvon Martin injustice and why we continue to repeat it

    Powell, K. (2008). The Black male handbook: A blueprint for life. New York: Atria Books.

    Bowser, B. (2012). Gangster rap and its social cost exploiting hip hop and using racial stereotypes to entertain America. Amherst, N.Y.: Cambria Press. 

     Ogbar, J. (2007). Hip-hop revolution: The culture and politics of rap. Lawrence: University Press of Kansas.

    Watkins, S. (2005). Hip hop matters: Politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press. 

    Wednesday 25 November 2015

    Critical Investigation Task #2

    Critical Investigation Task #2

    Academic research and bibliography


    Book- ‘Black Demons: The deception Of The African American Male Criminal Stereotype’

    "The news media, for example, have taken the lead in equating young African American males with aggressiveness, lawlessness, and violence.”

    “Likewise, the entertainment media have eagerly taken their cue from the journalist, and these false images not only affect race relations but also create achievement can be predetermined for them by suggestions in the media.” 

    “It is interesting that, as a group, whites have managed to escape being associated with crime.” 

    “Each year, whites account for almost seventy percent of the total arrests, and today they compromise about forty percent of the prison population.” 

    “I was told that all back men were inherently aggressive and violent”

    “Many fulfill white American’s image of them legitimately by becoming successful gangsta rappers; others fulfill this image illegitimately by becoming 
    ‘baaad-ass niggers’ Rappers therefore reinforce the popular belief that as ‘baaad-ass niggers’ young blacks can achieve fame, a recognition and a sense of being (somebody). If they lose however they face a long stay in our jails and prisons or even bodily injury and death.”

    “Studies indicate that African American teenagers are aware that they are stigmatized as being intellectually inferior and that they go to school bearing what psychologist Claude Steele has called a ‘burden of suspicion’.  Such a burden can affect their attitudes and achievement.” –

    Brainwashed: Challenging the Myth of Black Inferiority

    “The genesis of all these attitudes can be traced to American slavery. It was in America, in the ‘Land of the Free’ that Africans were chained and branded, both physically and psychologically, as subhuman beasts.”

    “Blacks, who’ve been conditioned to expect less from people who look like themselves, automatically insert these high profile black achievers into the ‘exceptional expectation’ file.”

    “Regardless of our individual social, economic, or media success, it has not affected the black bottom line.”

    “Therefore, though black progress is more visible today than ever before, I maintain that the unwritten, audacious promotion of white superiority and black inferiority was (and still is) the most effective and successful marketing/propaganda campaign in the history of the world.”

    “African Americans, no matter how savvy, educated, or finically privileged, could not completely avoid the conditioning that resulted from the increasingly sophisticated bombardment of subtle and not-so-subtle messages created to reinforce how different and inherently inferior blacks are when compared to whites.”

    “Although Jews, like blacks, suffered under a deadly campaign of propaganda and brainwashing, the effort doesn’t seem to have hampered their long term cultural evolution or caused stifling psychological impairment.”

    Book- Suspicion Nation (Trayvon Martin)

    “Historian David Levering summarizes it:  “Whites commit crimes but blacks are criminals.” While whites can and do commit a great deal of minor and major crimes, the race as a whole is never tainted by those acts.  But when blacks violate the law, all members of the race are considered suspect.

    “Remember Zimmerman’s false syllogism? A few blacks committed burglary, Trayvon was black, therefore Trayvon was a criminal.  Similar logic is used daily in the assumptions police and citizens make about African Americans, especially young males.”

    The archetype is so prevalent that the majority of whites and African Americans agreed with the statement “blacks are aggressive or violent” in national survey.”

     “In support of these findings, other research indicates that the public generally associates violent street crime with African Americans.”

    “Other nationwide research has shown that the public perceives that blacks are involved in a greater percentage of violent crime than official statistics indicate they actually are.”

    “The standard assumption that criminals are black and blacks are criminals is so prevalent that in one study, 60 percent of viewers who viewed a crime story with no picture of the perpetrator falsely recalled seeing one, and of those, 70 percent believed he was African American. When we think about crime, we “see black,” even when it’s not present at all.”

    “In contrast, white slavers, who should have been the real criminals, imprisoned African Americans on their plantations, forcing them to live short, harsh lives in extreme poverty, working without any compensation, constantly subjecting them to regular beatings and threats of violence.”

    “Rampage killers are often in the news.  Nearly every one who has murdered a large number of people in one horrific event has been white.  American bomber Timothy McVeigh took 168 lives at the federal building in Oklahoma City in 1995, many of them preschoolers at day care, in the worst incident of domestic terrorism until 9/11”

    “Yet even though these shocking events generate round-the-clock media attention for days or weeks afterwards, that level of attention does not scare anyone away from white men…Every American presidential assassin – the killers of presidents Abraham Lincoln, James Garfield, William McKinley, and John F. Kennedy -- has been white, as was the killer of JFK’s assassin, and the murderers of Martin Luther King, Jr. and Robert F. Kennedy.  Ronald Reagan’s attempted assassin was white, and so were all those who made attempts on the lives of presidents Theodore Roosevelt, Franklin D. Roosevelt and Gerald Ford (Ford’s two attempted killers diverged not on racial but on gender lines, as both were white women).”

    Book-The Black Male Handbook” A Blueprint For Life

    “I had grown up fatherless, reared by a poor young black woman in Jersey City. My concept of manhood, of black manhood specifically, had been shaped by the absent dad and the destructive images I saw all about me: street hustlers, thieves, pimps, numbers runners, drug dealers, and bootleg preachers who seemed to have more interest in our meagre earnings than our souls”

    “For sure, hiphop both saved and changed my life, on so many levels: I have been deeply immersed in hiphop since I was a preteen”

    “So, as a black male, it has been profound and deeply traumatizing to watch the deterioration of hiphop music beginning in the mid-1990s, all for the sake of profit; to be there in Las Vegas when Tupac’s death was announced; to be doubly shaken when, less than a year later, the Notorious B.I.G was also mysteriously murdered.”

    Book-Gangster Rap and its social cost: Exploiting hiphop and using racial stereotypes to entertain America

    “Other observers have asserted that hip hop is the result of young people’s being locked out of the American economic mainstream.”

    “The belief that one’s actions are more important than one’s words originated in the gang peace dialogue and became a core value of hip hop.”

    “Hip hop was not intended to be an ideology, nor did its founders want the movement to assume an intellectualized position. Another core value that emerged from the dialogue between gangs was that a person should not criticize a rival.”

    “Using spray paint to tag space was imitation for these young people of what they had seen all their lives.”

    “What has largely been ignored among hip hop scholars is the relation between rap and hip hop at this very important transition point.”

    Book- Politics in Rap

    “Upon mention that Eminem was white, Dr. Dre famously remarked, “I don’t care if he’s purple, as long as he can rap.” His defense of Eminem’s ability in light of his race is notable: Hip-hop, a predominantly African American genre with ever-increasing nationwide popularity, presents a valuable opportunity to examine how racial tension still manifests itself.”

    “From its origin in the South Bronx of the early 1970s, hip-hop represented an expression of rebellion and discontent”

     “Yet, Bradley argues that the entrance of hip-hop into the “marketplace of ideas and style” also created the opportunity for artists who did not encompass that stereotypical background to “pick up the pen.””

    “The hip-hop industry has been forced to adapt to the tastes of a wealthy, white population of fans that adore its music by creating music characterized by carefully enunciated flow, catchy beats, and relatable stories. Ever since the industry acknowledged in 1991 that white, suburban teenagers consume 80 percent of all hip-hop, mainstream rap culture’s emphasis on characteristics appealing to white men has resulted in slow gentrification.”

    “A study done by the Prevention Research Center of the Pacific Institute for Research and Evaluation found a correlation between listening to hip-hop and alcoholism and violence.” 

    “Hip-hop no longer speaks exclusively to the marginalized populations within the United States. The genre is now not solely about expressing discontent or serving as a mouthpiece for the powerless.”

    “But hip-hop can potentially serve as a model for minimizing the impact of race and removing discrimination. Certainly, it is better than no model at all: No racial divide will be bridged by pushing uncomfortable subjects to the periphery of discourse. We are not colorblind.”

    Does Hip-Hop Drive Negative Stereotypes of Black Men?


    Image plays a big role in media—so big, in fact, that those stereotypical depictions may have created a stigma for all black men, suggested panelists at a recent Morgan conference.”

    “But one question perists: do black men incriminate themselves into stereotypes or are these images the only ones available for black men to step into?”

    “In the 1970’s hip-hop became a means for blacks, “in the struggle,” to express themselves and tell a story about their lives in order to relate to people like them. But the victory of rap was doused by the crack epidemic. When drug dealers begin to rap, the two “professions” became forever entwined—and black men have been associated with that image ever since.”

    “Kanye West described it best with his “Heard Em Say” lyrics, explaining how drug dealers are viewed in his hometown of Chicago: “Where I’m from, the dope boys is the rock stars, but they can’t cop cars without seeing cop cars, I guess they want us all behind bars.””

    “Drug use continues to inform the music of mainstream rap artists. Their lyrics often tell listeners how they have sold drugs, served jail time and used violence as a means to overcome obstacles. It has also become common for rappers to brag about the number of women they’ve slept with and could sleep with, by sexualizing their bodies in music videos. Rappers wear “chains” and drive expensive cars, while using catchy beats and explicit language to express it all.”

    “Some rappers like NWA have used songs like, “F**k the Police”, to express police brutality.

    “Young black fans gravitate towards the images placed in the media by the hip-hop lifestyle whether it is the sex, the drug use or distribution, the shiny jewelry or the expensive clothing. For that reason when blacks see their favorite rapper associated with a particular brand or way of life, they are more inclined to buy a certain items or act certain ways in order to be a part of that same lifestyle.”

    “Social media could be a great solution to solving a huge question, why do black men matter? The image of black men in the media wasn’t tarnished overnight and it will take work from within the African American community to create a new and improved image, panelists asserted.”

    Book- The impact of rap and hiphop music on American youth

    It is from Big Pun’s “Brave In the Heart” lyrics that affect the minds of young Americans by telling them that they must use violence in order to win or survive.”

    “Ever since the rise of rap and hip-hop music, teens have been turning to them to help solve their problems. However, these kinds of music can be very destructive to teens. It is not the youth’s fault, it is the content that the music contains”

    “In a recent experiment, 700 fifteen- year- olds were exposed to rap music. One third listened to sexually explicit lyrics, and two thirds listened to degrading lyrics about sex. After the experiment, each fifteen year old was asked about their sexual thoughts. Almost all of their responses had something to do with sex (Degrading). The results of this experiment are very alarming because they show how much rap and hip-hop music is affecting American youth.”

    “American youth are a target towards the marketers of rap and hip-hop. They are always influenced by the media and still trying to find their identity.”

    “Equally important, the effects of rap and hip-hop music on American youth can be positive, yet can be very destructive. On the positive side, they can make a person feel good about who they are. They may not live a good life, but they can relate to the lyrics in the song.”

    The Socialist’s Journal: The Effects of Rap Music

    Rap music is different from other kinds of music. Stylistically it is distinct from all other vocal music in that the artists are speaking rather than singing the words to the songs. That is the surface difference though.”

    “Why does any of this matter? Because while rap music has always had a passionate fan base from its beginnings in the 1970s through the early 1990s. Now in 2013 rap music has grown into one of the dominant and most popular types of music in the world. It is the music of choice for youth in the United States. As such it is shaping the way future generations view the world around them.

    “I don’t believe that anyone fell in love because they listened to a Stevie Wonder song, rather their feeling were reinforced by the music. Similarly rap music doesn’t make anyone selfish but it does help to legitimize one’s desires and the efforts to fulfill those desires.

    Hip Hop matters: politics, pop culture, and the struggle for the soul of a movement

    “Significantly, the event was arranged because there was a genuine fear that the already violent feud between Ja Rule and his chief nemesis, superstar rapper 50 cent, was spiralling toward another hip hop tragedy.”

    “The ‘sensitive thug’ moniker he earned was an oxymoron in the coarse world of corporate rap music. But while the kinder and gentler thug-life persona Ja Rule concocted had increased his record sales, it also opened him up to charges that he was not ‘street’ enough”

    “His life as a petty drug dealer, the death of his crack-addicted mother, and his miraculous survival of nine bullets formed a classic ghetto tale that put him on the pop map.”

    “The embrace of guns, gangsterism, and ghetto authenticity brought an aura of celebrity and glamour to the grim yet fabulously hyped portraits of ghetto life.”

    “During the broadcast Ja Rule told Farrakhan, ‘They want you to stay hood’. But the pressure to stay hood had severe costs; namely, the devotion to the thug life that ran counter to hip hop’s claim that it represents the voices and experiences of generation of marginal youths.”

    Hip-Hop revolution: The culture and politics of rap

    “The popular fixation of black people as criminal, lazy, witless miscreants in American popular culture has been well documented.”

    “It is not uncommon to see black actors in roles as varied as medical doctors, judges, street thugs, or even president of the United States.”

    “Hip-hop has been an ever dynamic force with potential for social change, for better or for worse. The question, however, is the degree and the nature of that influence.”

    “There was no denying the influence of hip-hop on that spring day in America’s heartland. But my imaging a reconfigured scene without hip hop brought the same hot-headed youth to mind, only in a different cultural display.”


    “In fact, under the administration of President George W. Bush, increases in subversive expressions are common among the most mainstream of artists, including Jay-Z, Eminem, Ludacris, Kanye West, and Lil’ Wayne, all of whom have criticized the bush administration for the war in Iraq, the handling of Hurricane Katrina victims, and other Issues. These sorts of political expressions are uncommon among mainstream R&B and pop musicians whose format typically encompasses love ballads and festive tracks.”  

    Saturday 14 November 2015

    Critical Investigation Task #1

    Straight Outta Compton: LAPD Harasses NWA Outside Their Recording Studio R Movie Clip

    https://www.youtube.com/watch?v=C_lKAOeZT8Y

    This a scene from straight outta Compton where you see the NWA members being harassed while outside their studio. This scene/clip is a classic example of the police brutality that the band faced while 'doing absolutely nothing'. The black officer in the clip states that "Rap is not an art" this quote clearly shows the officer and society in general trying to discredit these artists from what they do. This then reinforces the stereotype that black males do nothing with their lives or waste their time however rapping and influencing many people globally is considered a huge achievement but the officer attempts to dismiss this fact. He also then continues to say "These 'rappers' of yours look like bangers (gang members)" This also raises the point that black youth are often judged on how they look. This creates many ideas of these young men, even though they are innocently eating their lunch outside the studio, their appearance has once again raised and alert to the police department claiming they are doing something wrong or misbehaving. This links to Dyer's theory of stereotypes stating the more powerful often stereotype the less powerful. This can be clearly seen in the scene where the police instinctively judged these rappers just because they hold more power in society.

    https://www.youtube.com/watch?v=qVFOoYpmOB8

    In this scene you can see Ice Cube being arrested outside his home for nothing once again. This repetition of these artists being arrested for doing nothing highlights the racism factor of it. You can see that Ice Cube is stereotyped by the police as being another black troubled youth. The scene also then consists of Cube's parents coming out to say 'that's my son'. The police still continue to arrest him and order the parents to get off the scene very aggressively. Cube is then slammed onto the carbonate after telling the police "you ain't gotta talk to my moms like that" from then you see a close up Ice Cube against the police car as his face shows pain while the siren lights are flashing on his face. This shot is an extremely powerful one because it is able to tell many stories and give many ideas just from one shot. The shot allows the audience to empathize with Ice Cube as they see the innocence or frustration in his face due to this occurring very regularly in his everyday life as a young black man in south central LA. Ice Cube then continues to say "officer can I ask why you jacking us right now?" this shows a clear and reasonable question asked by a man that is being arrested. The officer then says "man I ain't explaining shit to you" this just reinforces the message of black youth in America being mistreated by Police. This scene shows police brutality to be very serious and strictly down to race. Ice Cube's parents are told to get out the way and his father steps on the pavement and claims he isn't moving because this is his property. The officer then steps off, this shows that officers and law enforcement usually don't try and trouble educated people due to their inability to protect and fight for themselves through the law.




    5 Articles Notes & Quotes

    https://www.englishandmedia.co.uk/media-magazine/articles/16789
    “Young men from ethnic minorities are the main social group represented in both films. Each film has a young black male protagonist: Rocket in City of God and Hubert in La Haine. The American 'hood' film sub-genre often has a character that is trying to reject a life of crime and escape the trappings of the 'hood' in which he lives (see also Boyz N The Hood and Menace II Society)”
    “Women are under-represented in both these films, and often portrayed in a negative light. They are both very masculine stories with little time for female characters. La Haine, for example, has been accused of:
    Ignoring women and for importing the violence and nihilism of American gang movies
    Stafford, 2000”

    "These kinds of images of young people are unfortunately typical of much news media coverage. A 2005 IPSOS/MORI survey found that 40% of newspaper articles featuring young people focused on violence, crime or anti-social behaviour; and that 71% could be described as having a negative tone. Research from Brunel University during 2006 found that television news reports of young people focused overwhelmingly either on celebrities such as footballers or (most frequently) on violent crime; while young people accounted for only 1% of the sources for interviews and opinions across the whole sample."

    "More recently, a study by the organisation Women in Journalism analysed 7,000+ stories involving teenage boys, published in online, national and regional newspapers during 2008. 72% were negative - more than twenty times the number of positive stories (3.4%). Over 75% were about crime, drugs, or police: the great majority of these were negative (81.5%) while only a handful were positive (0.3%)."
    - male sexual dominance, with women framed as objects and denied any agency or their own gaze
    - images of crime and violence, referenced in lyrics, video narratives and shown through mise-en-scène
    - self-aggrandisement, shown through body language and reinforced with low-angle shots and close-ups”



    “This stereotype grew from the rise of gangster rap in the late 1980s, most notably through artists such as N.W.A. (the group which launched the careers of Ice Cube and Dr. Dre) and Ice-T, both of whom flaunted their criminal backgrounds and took a confrontational approach to authority, along with their aggressive posturing.”
    “This representation remained the dominant stereotype throughout the 1990s and 2000s, as artists like Jay-Z, Snoop Dogg and 50 Cent both adhered to the same stereotype and were portrayed using much of the same language. Common conventions of hip-hop videos and publicity images for the period include:
    - a fixation on money and wealth, shown through diamond jewellery, expensive cars and flaunted cash
    https://www.englishandmedia.co.uk/media-magazine/articles/16057
    “50's image is overtly sexual, his torso revealed, his pelvis jutting archly above his low slung trousers a flamboyant display of potentially explosive testosterone. His good looks slay the ladies (bitches and hoes) who drape themselves over him, willing and able whenever he wants them; but, as he puts it 'she wants to be wifey - u uh not likely'. This black male is the stereotypical commitment-phobia and hustler, the latest in a long line of black outlaws, stretching back through Ice T to Shaft and beyond.”
    “The hustling, pimping and hoeing are all part of a carefully controlled image designed to sell as many records as possible, to excite, scare and enrage middle America, and maybe - just maybe - to register with under-privileged black kids (if they haven't cottoned onto the whiff of a sell out).”
    https://www.englishandmedia.co.uk/media-magazine/articles/16379

    “This shrewd manipulation of identity and performance helped Eminem successfully overcome the 'Vanilla Ice syndrome' to become a white rapper respected in the black-dominated world of hip-hop. In fact, Eminem's embracing and manipulation of his 'whiteness' helped him become one of hip-hop's elite.”