Saturday 28 November 2015

Bib

Rome, D. (2004). Black demons the media's depiction of the African American male criminal stereotype. Westport, Conn.: Praeger. 

Burrell, T. (2010). Brainwashed: Challenging the myth of Black inferiority. New York, NY: Smiley Books ; 

Bloom, L. (n.d.). Suspicion nation: The inside story of the Trayvon Martin injustice and why we continue to repeat it

Powell, K. (2008). The Black male handbook: A blueprint for life. New York: Atria Books.

Bowser, B. (2012). Gangster rap and its social cost exploiting hip hop and using racial stereotypes to entertain America. Amherst, N.Y.: Cambria Press. 

 Ogbar, J. (2007). Hip-hop revolution: The culture and politics of rap. Lawrence: University Press of Kansas.

Watkins, S. (2005). Hip hop matters: Politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press. 

Wednesday 25 November 2015

Critical Investigation Task #2

Critical Investigation Task #2

Academic research and bibliography


Book- ‘Black Demons: The deception Of The African American Male Criminal Stereotype’

"The news media, for example, have taken the lead in equating young African American males with aggressiveness, lawlessness, and violence.”

“Likewise, the entertainment media have eagerly taken their cue from the journalist, and these false images not only affect race relations but also create achievement can be predetermined for them by suggestions in the media.” 

“It is interesting that, as a group, whites have managed to escape being associated with crime.” 

“Each year, whites account for almost seventy percent of the total arrests, and today they compromise about forty percent of the prison population.” 

“I was told that all back men were inherently aggressive and violent”

“Many fulfill white American’s image of them legitimately by becoming successful gangsta rappers; others fulfill this image illegitimately by becoming 
‘baaad-ass niggers’ Rappers therefore reinforce the popular belief that as ‘baaad-ass niggers’ young blacks can achieve fame, a recognition and a sense of being (somebody). If they lose however they face a long stay in our jails and prisons or even bodily injury and death.”

“Studies indicate that African American teenagers are aware that they are stigmatized as being intellectually inferior and that they go to school bearing what psychologist Claude Steele has called a ‘burden of suspicion’.  Such a burden can affect their attitudes and achievement.” –

Brainwashed: Challenging the Myth of Black Inferiority

“The genesis of all these attitudes can be traced to American slavery. It was in America, in the ‘Land of the Free’ that Africans were chained and branded, both physically and psychologically, as subhuman beasts.”

“Blacks, who’ve been conditioned to expect less from people who look like themselves, automatically insert these high profile black achievers into the ‘exceptional expectation’ file.”

“Regardless of our individual social, economic, or media success, it has not affected the black bottom line.”

“Therefore, though black progress is more visible today than ever before, I maintain that the unwritten, audacious promotion of white superiority and black inferiority was (and still is) the most effective and successful marketing/propaganda campaign in the history of the world.”

“African Americans, no matter how savvy, educated, or finically privileged, could not completely avoid the conditioning that resulted from the increasingly sophisticated bombardment of subtle and not-so-subtle messages created to reinforce how different and inherently inferior blacks are when compared to whites.”

“Although Jews, like blacks, suffered under a deadly campaign of propaganda and brainwashing, the effort doesn’t seem to have hampered their long term cultural evolution or caused stifling psychological impairment.”

Book- Suspicion Nation (Trayvon Martin)

“Historian David Levering summarizes it:  “Whites commit crimes but blacks are criminals.” While whites can and do commit a great deal of minor and major crimes, the race as a whole is never tainted by those acts.  But when blacks violate the law, all members of the race are considered suspect.

“Remember Zimmerman’s false syllogism? A few blacks committed burglary, Trayvon was black, therefore Trayvon was a criminal.  Similar logic is used daily in the assumptions police and citizens make about African Americans, especially young males.”

The archetype is so prevalent that the majority of whites and African Americans agreed with the statement “blacks are aggressive or violent” in national survey.”

 “In support of these findings, other research indicates that the public generally associates violent street crime with African Americans.”

“Other nationwide research has shown that the public perceives that blacks are involved in a greater percentage of violent crime than official statistics indicate they actually are.”

“The standard assumption that criminals are black and blacks are criminals is so prevalent that in one study, 60 percent of viewers who viewed a crime story with no picture of the perpetrator falsely recalled seeing one, and of those, 70 percent believed he was African American. When we think about crime, we “see black,” even when it’s not present at all.”

“In contrast, white slavers, who should have been the real criminals, imprisoned African Americans on their plantations, forcing them to live short, harsh lives in extreme poverty, working without any compensation, constantly subjecting them to regular beatings and threats of violence.”

“Rampage killers are often in the news.  Nearly every one who has murdered a large number of people in one horrific event has been white.  American bomber Timothy McVeigh took 168 lives at the federal building in Oklahoma City in 1995, many of them preschoolers at day care, in the worst incident of domestic terrorism until 9/11”

“Yet even though these shocking events generate round-the-clock media attention for days or weeks afterwards, that level of attention does not scare anyone away from white men…Every American presidential assassin – the killers of presidents Abraham Lincoln, James Garfield, William McKinley, and John F. Kennedy -- has been white, as was the killer of JFK’s assassin, and the murderers of Martin Luther King, Jr. and Robert F. Kennedy.  Ronald Reagan’s attempted assassin was white, and so were all those who made attempts on the lives of presidents Theodore Roosevelt, Franklin D. Roosevelt and Gerald Ford (Ford’s two attempted killers diverged not on racial but on gender lines, as both were white women).”

Book-The Black Male Handbook” A Blueprint For Life

“I had grown up fatherless, reared by a poor young black woman in Jersey City. My concept of manhood, of black manhood specifically, had been shaped by the absent dad and the destructive images I saw all about me: street hustlers, thieves, pimps, numbers runners, drug dealers, and bootleg preachers who seemed to have more interest in our meagre earnings than our souls”

“For sure, hiphop both saved and changed my life, on so many levels: I have been deeply immersed in hiphop since I was a preteen”

“So, as a black male, it has been profound and deeply traumatizing to watch the deterioration of hiphop music beginning in the mid-1990s, all for the sake of profit; to be there in Las Vegas when Tupac’s death was announced; to be doubly shaken when, less than a year later, the Notorious B.I.G was also mysteriously murdered.”

Book-Gangster Rap and its social cost: Exploiting hiphop and using racial stereotypes to entertain America

“Other observers have asserted that hip hop is the result of young people’s being locked out of the American economic mainstream.”

“The belief that one’s actions are more important than one’s words originated in the gang peace dialogue and became a core value of hip hop.”

“Hip hop was not intended to be an ideology, nor did its founders want the movement to assume an intellectualized position. Another core value that emerged from the dialogue between gangs was that a person should not criticize a rival.”

“Using spray paint to tag space was imitation for these young people of what they had seen all their lives.”

“What has largely been ignored among hip hop scholars is the relation between rap and hip hop at this very important transition point.”

Book- Politics in Rap

“Upon mention that Eminem was white, Dr. Dre famously remarked, “I don’t care if he’s purple, as long as he can rap.” His defense of Eminem’s ability in light of his race is notable: Hip-hop, a predominantly African American genre with ever-increasing nationwide popularity, presents a valuable opportunity to examine how racial tension still manifests itself.”

“From its origin in the South Bronx of the early 1970s, hip-hop represented an expression of rebellion and discontent”

 “Yet, Bradley argues that the entrance of hip-hop into the “marketplace of ideas and style” also created the opportunity for artists who did not encompass that stereotypical background to “pick up the pen.””

“The hip-hop industry has been forced to adapt to the tastes of a wealthy, white population of fans that adore its music by creating music characterized by carefully enunciated flow, catchy beats, and relatable stories. Ever since the industry acknowledged in 1991 that white, suburban teenagers consume 80 percent of all hip-hop, mainstream rap culture’s emphasis on characteristics appealing to white men has resulted in slow gentrification.”

“A study done by the Prevention Research Center of the Pacific Institute for Research and Evaluation found a correlation between listening to hip-hop and alcoholism and violence.” 

“Hip-hop no longer speaks exclusively to the marginalized populations within the United States. The genre is now not solely about expressing discontent or serving as a mouthpiece for the powerless.”

“But hip-hop can potentially serve as a model for minimizing the impact of race and removing discrimination. Certainly, it is better than no model at all: No racial divide will be bridged by pushing uncomfortable subjects to the periphery of discourse. We are not colorblind.”

Does Hip-Hop Drive Negative Stereotypes of Black Men?


Image plays a big role in media—so big, in fact, that those stereotypical depictions may have created a stigma for all black men, suggested panelists at a recent Morgan conference.”

“But one question perists: do black men incriminate themselves into stereotypes or are these images the only ones available for black men to step into?”

“In the 1970’s hip-hop became a means for blacks, “in the struggle,” to express themselves and tell a story about their lives in order to relate to people like them. But the victory of rap was doused by the crack epidemic. When drug dealers begin to rap, the two “professions” became forever entwined—and black men have been associated with that image ever since.”

“Kanye West described it best with his “Heard Em Say” lyrics, explaining how drug dealers are viewed in his hometown of Chicago: “Where I’m from, the dope boys is the rock stars, but they can’t cop cars without seeing cop cars, I guess they want us all behind bars.””

“Drug use continues to inform the music of mainstream rap artists. Their lyrics often tell listeners how they have sold drugs, served jail time and used violence as a means to overcome obstacles. It has also become common for rappers to brag about the number of women they’ve slept with and could sleep with, by sexualizing their bodies in music videos. Rappers wear “chains” and drive expensive cars, while using catchy beats and explicit language to express it all.”

“Some rappers like NWA have used songs like, “F**k the Police”, to express police brutality.

“Young black fans gravitate towards the images placed in the media by the hip-hop lifestyle whether it is the sex, the drug use or distribution, the shiny jewelry or the expensive clothing. For that reason when blacks see their favorite rapper associated with a particular brand or way of life, they are more inclined to buy a certain items or act certain ways in order to be a part of that same lifestyle.”

“Social media could be a great solution to solving a huge question, why do black men matter? The image of black men in the media wasn’t tarnished overnight and it will take work from within the African American community to create a new and improved image, panelists asserted.”

Book- The impact of rap and hiphop music on American youth

It is from Big Pun’s “Brave In the Heart” lyrics that affect the minds of young Americans by telling them that they must use violence in order to win or survive.”

“Ever since the rise of rap and hip-hop music, teens have been turning to them to help solve their problems. However, these kinds of music can be very destructive to teens. It is not the youth’s fault, it is the content that the music contains”

“In a recent experiment, 700 fifteen- year- olds were exposed to rap music. One third listened to sexually explicit lyrics, and two thirds listened to degrading lyrics about sex. After the experiment, each fifteen year old was asked about their sexual thoughts. Almost all of their responses had something to do with sex (Degrading). The results of this experiment are very alarming because they show how much rap and hip-hop music is affecting American youth.”

“American youth are a target towards the marketers of rap and hip-hop. They are always influenced by the media and still trying to find their identity.”

“Equally important, the effects of rap and hip-hop music on American youth can be positive, yet can be very destructive. On the positive side, they can make a person feel good about who they are. They may not live a good life, but they can relate to the lyrics in the song.”

The Socialist’s Journal: The Effects of Rap Music

Rap music is different from other kinds of music. Stylistically it is distinct from all other vocal music in that the artists are speaking rather than singing the words to the songs. That is the surface difference though.”

“Why does any of this matter? Because while rap music has always had a passionate fan base from its beginnings in the 1970s through the early 1990s. Now in 2013 rap music has grown into one of the dominant and most popular types of music in the world. It is the music of choice for youth in the United States. As such it is shaping the way future generations view the world around them.

“I don’t believe that anyone fell in love because they listened to a Stevie Wonder song, rather their feeling were reinforced by the music. Similarly rap music doesn’t make anyone selfish but it does help to legitimize one’s desires and the efforts to fulfill those desires.

Hip Hop matters: politics, pop culture, and the struggle for the soul of a movement

“Significantly, the event was arranged because there was a genuine fear that the already violent feud between Ja Rule and his chief nemesis, superstar rapper 50 cent, was spiralling toward another hip hop tragedy.”

“The ‘sensitive thug’ moniker he earned was an oxymoron in the coarse world of corporate rap music. But while the kinder and gentler thug-life persona Ja Rule concocted had increased his record sales, it also opened him up to charges that he was not ‘street’ enough”

“His life as a petty drug dealer, the death of his crack-addicted mother, and his miraculous survival of nine bullets formed a classic ghetto tale that put him on the pop map.”

“The embrace of guns, gangsterism, and ghetto authenticity brought an aura of celebrity and glamour to the grim yet fabulously hyped portraits of ghetto life.”

“During the broadcast Ja Rule told Farrakhan, ‘They want you to stay hood’. But the pressure to stay hood had severe costs; namely, the devotion to the thug life that ran counter to hip hop’s claim that it represents the voices and experiences of generation of marginal youths.”

Hip-Hop revolution: The culture and politics of rap

“The popular fixation of black people as criminal, lazy, witless miscreants in American popular culture has been well documented.”

“It is not uncommon to see black actors in roles as varied as medical doctors, judges, street thugs, or even president of the United States.”

“Hip-hop has been an ever dynamic force with potential for social change, for better or for worse. The question, however, is the degree and the nature of that influence.”

“There was no denying the influence of hip-hop on that spring day in America’s heartland. But my imaging a reconfigured scene without hip hop brought the same hot-headed youth to mind, only in a different cultural display.”


“In fact, under the administration of President George W. Bush, increases in subversive expressions are common among the most mainstream of artists, including Jay-Z, Eminem, Ludacris, Kanye West, and Lil’ Wayne, all of whom have criticized the bush administration for the war in Iraq, the handling of Hurricane Katrina victims, and other Issues. These sorts of political expressions are uncommon among mainstream R&B and pop musicians whose format typically encompasses love ballads and festive tracks.”  

Saturday 14 November 2015

Critical Investigation Task #1

Straight Outta Compton: LAPD Harasses NWA Outside Their Recording Studio R Movie Clip

https://www.youtube.com/watch?v=C_lKAOeZT8Y

This a scene from straight outta Compton where you see the NWA members being harassed while outside their studio. This scene/clip is a classic example of the police brutality that the band faced while 'doing absolutely nothing'. The black officer in the clip states that "Rap is not an art" this quote clearly shows the officer and society in general trying to discredit these artists from what they do. This then reinforces the stereotype that black males do nothing with their lives or waste their time however rapping and influencing many people globally is considered a huge achievement but the officer attempts to dismiss this fact. He also then continues to say "These 'rappers' of yours look like bangers (gang members)" This also raises the point that black youth are often judged on how they look. This creates many ideas of these young men, even though they are innocently eating their lunch outside the studio, their appearance has once again raised and alert to the police department claiming they are doing something wrong or misbehaving. This links to Dyer's theory of stereotypes stating the more powerful often stereotype the less powerful. This can be clearly seen in the scene where the police instinctively judged these rappers just because they hold more power in society.

https://www.youtube.com/watch?v=qVFOoYpmOB8

In this scene you can see Ice Cube being arrested outside his home for nothing once again. This repetition of these artists being arrested for doing nothing highlights the racism factor of it. You can see that Ice Cube is stereotyped by the police as being another black troubled youth. The scene also then consists of Cube's parents coming out to say 'that's my son'. The police still continue to arrest him and order the parents to get off the scene very aggressively. Cube is then slammed onto the carbonate after telling the police "you ain't gotta talk to my moms like that" from then you see a close up Ice Cube against the police car as his face shows pain while the siren lights are flashing on his face. This shot is an extremely powerful one because it is able to tell many stories and give many ideas just from one shot. The shot allows the audience to empathize with Ice Cube as they see the innocence or frustration in his face due to this occurring very regularly in his everyday life as a young black man in south central LA. Ice Cube then continues to say "officer can I ask why you jacking us right now?" this shows a clear and reasonable question asked by a man that is being arrested. The officer then says "man I ain't explaining shit to you" this just reinforces the message of black youth in America being mistreated by Police. This scene shows police brutality to be very serious and strictly down to race. Ice Cube's parents are told to get out the way and his father steps on the pavement and claims he isn't moving because this is his property. The officer then steps off, this shows that officers and law enforcement usually don't try and trouble educated people due to their inability to protect and fight for themselves through the law.




5 Articles Notes & Quotes

https://www.englishandmedia.co.uk/media-magazine/articles/16789
“Young men from ethnic minorities are the main social group represented in both films. Each film has a young black male protagonist: Rocket in City of God and Hubert in La Haine. The American 'hood' film sub-genre often has a character that is trying to reject a life of crime and escape the trappings of the 'hood' in which he lives (see also Boyz N The Hood and Menace II Society)”
“Women are under-represented in both these films, and often portrayed in a negative light. They are both very masculine stories with little time for female characters. La Haine, for example, has been accused of:
Ignoring women and for importing the violence and nihilism of American gang movies
Stafford, 2000”

"These kinds of images of young people are unfortunately typical of much news media coverage. A 2005 IPSOS/MORI survey found that 40% of newspaper articles featuring young people focused on violence, crime or anti-social behaviour; and that 71% could be described as having a negative tone. Research from Brunel University during 2006 found that television news reports of young people focused overwhelmingly either on celebrities such as footballers or (most frequently) on violent crime; while young people accounted for only 1% of the sources for interviews and opinions across the whole sample."

"More recently, a study by the organisation Women in Journalism analysed 7,000+ stories involving teenage boys, published in online, national and regional newspapers during 2008. 72% were negative - more than twenty times the number of positive stories (3.4%). Over 75% were about crime, drugs, or police: the great majority of these were negative (81.5%) while only a handful were positive (0.3%)."
- male sexual dominance, with women framed as objects and denied any agency or their own gaze
- images of crime and violence, referenced in lyrics, video narratives and shown through mise-en-scène
- self-aggrandisement, shown through body language and reinforced with low-angle shots and close-ups”



“This stereotype grew from the rise of gangster rap in the late 1980s, most notably through artists such as N.W.A. (the group which launched the careers of Ice Cube and Dr. Dre) and Ice-T, both of whom flaunted their criminal backgrounds and took a confrontational approach to authority, along with their aggressive posturing.”
“This representation remained the dominant stereotype throughout the 1990s and 2000s, as artists like Jay-Z, Snoop Dogg and 50 Cent both adhered to the same stereotype and were portrayed using much of the same language. Common conventions of hip-hop videos and publicity images for the period include:
- a fixation on money and wealth, shown through diamond jewellery, expensive cars and flaunted cash
https://www.englishandmedia.co.uk/media-magazine/articles/16057
“50's image is overtly sexual, his torso revealed, his pelvis jutting archly above his low slung trousers a flamboyant display of potentially explosive testosterone. His good looks slay the ladies (bitches and hoes) who drape themselves over him, willing and able whenever he wants them; but, as he puts it 'she wants to be wifey - u uh not likely'. This black male is the stereotypical commitment-phobia and hustler, the latest in a long line of black outlaws, stretching back through Ice T to Shaft and beyond.”
“The hustling, pimping and hoeing are all part of a carefully controlled image designed to sell as many records as possible, to excite, scare and enrage middle America, and maybe - just maybe - to register with under-privileged black kids (if they haven't cottoned onto the whiff of a sell out).”
https://www.englishandmedia.co.uk/media-magazine/articles/16379

“This shrewd manipulation of identity and performance helped Eminem successfully overcome the 'Vanilla Ice syndrome' to become a white rapper respected in the black-dominated world of hip-hop. In fact, Eminem's embracing and manipulation of his 'whiteness' helped him become one of hip-hop's elite.”

Thursday 12 November 2015

Conference Notes

Notes

Media Power?

  • What the media allows us to see as consumers and what it hides from us to ensure certain representations remain the same and the constant ideology isn't changed.
What has the media done for us?
  • Brought new ideas and shared content 
  • allows people to express their personal opinions on social media sites
  • gives people the ability to show confidence behind 'the screen'  
Downsides
  • Bullying has been an issue that has risen due to social media and the ability to give people te freedom to say what they want in posts/tweets etc.
  • Abuse has been an issue also this mainly counts for cyber abuse on sites such as Twitter or Facebook.
Media power over the government allows opinions to up rise and citizen power to become popular due to citizen journalism and the public's ability to share their own daily events.

Media and democracy show a link and allows the public to have a platform available for debate in important issues  i.e. Political issues

The internet has the ability to spread positivity and negativity according to the producer of the information that is being distributed.

Political views and opinions can be heard due to media power and the internet. 

The decline of the newspaper industry-

The norm; free newspapers are now distributed even though news has to be printed/produced and distributed faster than ever before due to the counterattack from the internet. This then rises costs and decreases profit causing journalism to go down hill which makes news industries to make journalists redundant due to a cut in costs that newspapers are trying to make. 

Social media- bringing social change. The media is not 'claiming power' but instead 'giving power' to the people in it's ability to spread messages in a short space of time ( Natalie Fenton)

The news' ability to change sotries and the media's ability to cause controversy on certain topics. 

Chris Jefferies issue proved to be false however he was published on the news 8 times for a murder that he didn't commit due to his 'weird' or unusual look that isn't socially accepted. This was done by newspapers simply for an increase in sales.

Cover images are usually 'touched up' or changed slightly to make the person seem more strange to match the cover line of the newspaper i.e. "psychopathic man..."

Wednesday 4 November 2015

Notes & Quotes

Notes & Quotes

Title

To what extent does 'Straight Outta Compton' represent black people negatively and does it encourage violence?


“Ice Cube says critics angered at the failure of hip-hop biopic Straight Outta Compton to address past abuse against women by key member Dr Dre should make “their own” film about NWA.”


“CNN surprised ‘Straight Outta Compton’ didn’t cause violence, earned record money instead”
CNN host Ashleigh Banfield reported, “Some movie theaters were worried about violence when Straight Outta Compton hit the screen. Instead, it only led to longer lines, ticket lines and some big money.

“Alexander, who was a police officer in the 1980’s when the group’s first hit came out. ‘We really have to get away from this whole f the police to support the police’.”

“Some movie theaters have stepped up additional security screening after 59-year-old John Russell Houser, a white man, shot several at a movie theater in Louisiana at a screening of the Amy Schumer film Train wreck”

http://www.theguardian.com/film/2015/aug/27/straight-outta-compton-review-how-hip-hop-pioneers-nwa-took-on-the-world

“The movie fails to get perspective on the misogynistic culture of hip-hop and it incidentally allows to pass unchallenged the statement that no one involved had any concept of what “antisemitism” is (if you say so). It also coyly declines to show any of the main players doing so much as a speck of cocaine, a habit that surely drove many of the paranoid feuds, splits, outbursts and fist fights.

“Their most famous or notorious track Fuck tha Police became a free-speech issue and modern protest classic, resoundingly justified at last by the Rodney King video in 1991. It twists the volume dial clockwise.

Book- ‘Black Demons: The deception Of The African American Male Criminal Stereotype’

“I was told that all back men were inherently aggressive and violent”

“Many fulfill white American’s image of them legitimately by becoming successful gangsta rappers; others fulfill this image illegitimately by becoming ‘baaad-ass niggers’ Rappers therefore reinforce the popular belief that as ‘baaad-ass niggers’ young blacks can achieve fame, a recognition and a sense of being (somebody). If they lose however they face a long stay in our jails and prisons or even bodily injury and death.”

“Studies indicate that African American teenagers are aware that they are stigmatized as being intellectually inferior and that they go to school bearing what psychologist Claude Steele has called a ‘burden of suspicion’.  Such a burden can affect their attitudes and achievement.”
-This quote shows that as long as these stereotypes continue in society and are reinforced black males will continue to believe that they are inferior which may decrease their performance academically because the repetition in society has made them believe they are below average or  ‘destined to fail’ which affects their self-confidence as youths.

“According to Russell…Blacks are the repository for the american fear of crime. Ask anyone, to picture a criminal, and the image will have a black face. The link between blackness and criminality and routinized by terms such as ‘black-on-black crime’ and ‘black crime’.”

“Each year, whites account for almost seventy percent of the total arrests, and they today compromise about forty percent of the prison population. When the media does connect someone white with a crime, for example serial murderer Jeffrey Dahmer it does not implicate the entire white race. It is notable that phrases such as ‘white crime’ and ‘white-on-white’ crime are not part of our public lexicon on crime.”

“On television, half of all murder suspects arrested by the police are African American, suggesting unequivocally that television has a long way to go before achieving an accurate portrayal of murder suspects.”

“Similar to television, news coverage is yet another major source of information on crime that influences society in defining what crime is and who is a criminal.”

“Existing research examining news coverage of the African American community reveals disturbing biases and patterns of blatant distortion at the hands of the nation’s largest and most respected print 
and broadcast media.”

Brainwashed: Challenging the Myth of Black Inferiority

“The genesis of all these attitudes can be traced to American slavery. It was in America, in the ‘Land 
of the Free’ that Africans were chained and branded, both physically and psychologically, as subhuman beasts.”

“The illusion that anyone can succeed-what I call the ‘paradox of progress’-solidifies the myth of a ‘post racial society’”

“Blacks, who’ve been conditioned to expect less from people who look like themselves, automatically insert these high profile black achievers into the ‘exceptional expectation’ file.”

“Regardless of our individual social, economic, or media success, it has not affected the black bottom line.”

“Therefore, though black progress is more visible today than ever before, I maintain that the unwritten, audacious promotion of white superiority and black inferiority was (and still is) the most effective and successful marketing/propaganda campaign in the history of the world.”

“African Americans, no matter how savvy, educated, or finically privileged, could not completely avoid the conditioning that resulted from the increasingly sophisticated bombardment of subtle and not-so-subtle messages created to reinforce how different and inherently inferior blacks are when compared to whites.”

“Although Jews, like blacks, suffered under a deadly campaign of propaganda and brainwashing, the effort doesn’t seem to have hampered their long term cultural evolution or caused stifling psychological impairment.”


Review-

“One of the frustrations here is the very sketchy way certain subjects are treated. We never really learn why Dr Dre worked so closely with Suge Knight (played in very intimidating fashion by R. Marcus Taylor) or what happened to Jerry Heller. The East Coast-West Coast hip hop rivalry is alluded to but never properly explained.

http://www.telegraph.co.uk/film/straight-outta-compton/review/

“Straight Outta Compton makes you realise the strength of street knowledge is twofold: it gives you an in-built advantage over the rich and powerful, then allows you to join their ranks at the earliest possible opportunity.


As N.W.A. watches footage of a black man brutally beaten by a gang of police officers in the streets, we (in 2015) are dealing with the aftermath of events surrounding people like Sandra Bland.

“There’s a lot of story that needed to be pushed out in two-and-a-half hours, but rushing through the material leaves little opportunity to explore more emotionally charged moments in these men’s lives. 

Some casualties in this regard were the death of Dre’s younger brother, a split-second moment that only touches upon the tension between East and West coast rappers; Dre meeting his future wife, Nicole; E’s physical deterioration; and even one lighter but random moment where we see Cube working on the script for Friday in the background. 

“Straight Outta Compton is built on these roles, and though the storytelling may not be fully capable of bearing the weight of so much plot, you’ll want to break out your old N.W.A. albums and re-watch Boyz n the Hood and Friday, especially after Jackson exclaims, “Bye, Felicia!” 
Comment- Jackie, Critic

“They cover the part when Dre beats the hell out of that female reporter just because he didn't like that unflattering portrait about the group? Seems like kind of a major point considering it happened in full view of a lot of people and showed who he was towards the end of the group's run. I mean, if they were trying to be honest about everything.” This comment may show how the movie attempted to discourage violence and abuse by leaving this part of the movie out. This may be one of the main reasons why there weren’t any shootings before and after the screening in the US.

http://www.people.com/article/dr-dre-issues-apology-straight-outta-compton

"Twenty-five years ago I was a young man drinking too much and in over my head with no real structure in my life. However, none of this is an excuse for what I did. I've been married for 19 years and every day I'm working to be a better man for my family, seeking guidance along the way. I'm doing everything I can so I never resemble that man again." 

"I apologize to the women I've hurt. I deeply regret what I did and know that it has forever impacted all of our lives." 

“Michel'le alleges that Dre was often physically abusive during their relationship. Tairrie alleges that he attacked her at a Grammys after-party in 1990 in response to a ‘diss track’ the singer released. Barnes is the most famous of the accusers: Dre was charged with assault and battery after he attacked her at a party in 1991.” 

Deborah- Comment on the page

“I truly hate when journalists leave out critical aspects of a story, and twitter-finger readers make wild statements based on misinformation and facts they never bother to research. I do not condone domestic violence. Period. In this case, some people are reacting with suggestions that Dr. Dre pay money to his victims, that he donate money to shelters...etc... These suggestions come without realizing that at least with regard to Dee Barnes, he attacked her because she shaded him about Ice Cube leaving the group on television (which was her right as a television personality for Fox's "Pump It Up." He was wrong, and CONFESSED in court, pleading "no contest." Additionally, he paid restitution to a domestic violence shelter. And, he did several hours of community service. He also paid a fine. And, he did in fact make an anti-domestic violence Public Service Announcement. Additionally...wait for it...he settled a lawsuit and paid Ms. Barnes actual money. The only reason it went to court was because, as documented, her attorneys initially told him that all she wanted was for him to make four songs for her anonymously, which he agreed to and SIGNED A CONTRACT.”

http://feministing.com/2015/08/17/straight-outta-compton-another-step-in-the-legacy-of-erasing-black-women/

“The portrayal and treatment of women in the film is despicable, completely glorifying the misogyny laced in some of NWAs lyrics without restraint or critique.

“The male characters in the film paraded around throngs of topless women like trophies and reflections of their status of achievement. At points, these women were literally cast aside, and at one point Ice Cube pushed a topless woman – named Felicia – out of the hotel room in retaliation for her boyfriend searching for her and interrupting the party.”

http://crooksandliars.com/2015/08/cnn-very-worried-about-violence-straight

“Correct me if I'm wrong, but it seems to me the movie theatre shootings have been at the hands of white people, right? So why are we worried about violence, again? Oh, maybe because the cops dropped bugs in the ears of certain press people suggesting there might be a higher risk of violence?

Book- Suspicion Nation (Trayvon Martin)


“Historian David Levering summarizes it:  “Whites commit crimes but blacks are criminals.” While whites can and do commit a great deal of minor and major crimes, the race as a whole is never tainted by those acts.  But when blacks violate the law, all members of the race are considered suspect.

“Remember Zimmerman’s false syllogism? A few blacks committed burglary, Trayvon was black, therefore Trayvon was a criminal.  Similar logic is used daily in the assumptions police and citizens make about African Americans, especially young males.

The archetype is so prevalent that the majority of whites and African Americans agreed with the statement “blacks are aggressive or violent” in national survey.

 “In support of these findings, other research indicates that the public generally associates violent street crime with African Americans.

“Other nationwide research has shown that the public perceives that blacks are involved in a greater percentage of violent crime than official statistics indicate they actually are.”

“The standard assumption that criminals are black and blacks are criminals is so prevalent that in one study, 60 percent of viewers who viewed a crime story with no picture of the perpetrator falsely recalled seeing one, and of those, 70 percent believed he was African American. When we think about crime, we “see black,” even when it’s not present at all.


“In contrast, white slavers, who should have been the real criminals, imprisoned African Americans on their plantations, forcing them to live short, harsh lives in extreme poverty, working without any compensation, constantly subjecting them to regular beatings and threats of violence.

“Gary Ridgeway, Washington State’s Green River Killer, was convicted of killing forty-eight girls and young women but admitted to ninety murders during the 1980s and 1990s. He returned to the corpses he left along the river to have sexual intercourse with them. Ted Kaczynski, the Unabomber, killed three and terrorized many others, sending mail bombs with his anti-technology screeds to universities and airports for seventeen years, until 1995. Jeffrey Dahmer, the Milwaukee Cannibal, raped, murdered, and dismembered seventeen men and boys over thirteen years, until 1991. Dennis Rader, known as BTK for his signature “bind, torture, and kill” modus operandi, killed ten in Wichita, Kansas and was on the loose for decades until his 2005 apprehension…Though each of these men was white, striking again and again in towns and cities across the United States, garnering intense media coverage of their crimes and captures, no fear of white men emerged. Their murders were considered individual acts for which they alone were responsible.”
“The judge sentencing him pronounced “the scope, callousness, and depravity of [his] crimes are almost unfathomable.” Yet none of us looks at white men with concern that they are mob bosses.

“Rampage killers are often in the news.  Nearly every one who has murdered a large number of people in one horrific event has been white.  American bomber Timothy McVeigh took 168 lives at the federal building in Oklahoma City in 1995, many of them preschoolers at day care, in the worst incident of domestic terrorism until 9/11

“Yet even though these shocking events generate round-the-clock media attention for days or weeks afterwards, that level of attention does not scare anyone away from white men…Every American presidential assassin – the killers of presidents Abraham Lincoln, James Garfield, William McKinley, and John F. Kennedy -- has been white, as was the killer of JFK’s assassin, and the murderers of Martin Luther King, Jr. and Robert F. Kennedy.  Ronald Reagan’s attempted assassin was white, and so were all those who made attempts on the lives of presidents Theodore Roosevelt, Franklin D. Roosevelt and Gerald Ford (Ford’s two attempted killers diverged not on racial but on gender lines, as both were white women).

“In our nation’s history, so many of the sickest, most appalling crimes have been committed by whites. Yet no matter how sadistic the crime, no matter how young the victims, no matter how much fear is engendered in a community, no matter how much media attention and public discussion the crimes of whites engender, the race itself is never sullied. One does not look at a white man or woman and feel concern that pale skin enhances the likelihood that he or she is an assassin, a bomber, a murderer.

“Nevertheless, this FBI data shows that African Americans, who comprise 13 percent of our population, represent 38 percent of inmates in state and federal prisons. That is, blacks are locked up at nearly three times their rate in population, a shockingly high number. This statistic is often used in support of the black-as-criminal conclusion…But these numbers are almost entirely useless, because they are both over- and under-inclusive.  They include a small number of people who may be innocent as well as a very large number of inmates incarcerated for nonviolent offenses, especially marijuana possession, which does not strike fear in the hearts of most people.  Worse, these numbers are flawed because they do not reflect who’s committing the crime, merely who has been apprehended and locked up.  They leave out all the burglars and rapists and killers who are still on the loose.”